Vitalina wanders through this dilapidated and gloomy environment, which Costa shoots almost exclusively at night, the better to conjure a sense of ghosts navigating a dreamscape of sorrow, suffering and disconnection. Framing characters amidst forest greenery or through constricting cabin windows, and setting its action to the serene sounds of its rural environment – snapping twigs, chirping birds, running water, human breath – it’s an empathetic vision of profound male friendship and perilous capitalist enterprise. David Cronenberg’s writer/director son Brandon proves himself a chip off the old body-horror block with Possessor, a twisted sci-fi thriller about a near future in which assassin Tasya Vos (Andrea Riseborough) carries out her hits by hooking herself up to a face-hugger-style machine and “entering” another person’s mind and body, whom she then manipulates like a puppet. Dominique Fishback, As envisioned by writer/director Eliza Hittman (Beach Rats), Autumn’s with-child circumstance leads to a harrowing ordeal of uncomfortable doctor visits, financial anxieties, and incessant indignities suffered at the hands of men, be it sexually harassing classmates, her drunk and uncaring father (Ryan Eggold), or a boy (Théodore Pellerin) she and Skylar meet on the bus to Manhattan. Alex Sharp, Although most were viewed on inadequately small screens, the legion of fiction and non-fiction releases that helped us cope with our pandemic-wracked reality delivered welcome doses of excitement, drama, terror, and humor. Thankfully, Netflix gets it, too. Putting a poignant face on a contentious social topic, Never Rarely Sometimes Always tells the story of pregnant Pennsylvania 17-year-old Autumn (Sidney Flanigan), who with her loyal cousin Skylar (Talia Ryder) by her side, travels to New York to procure an abortion. Stars: No matter that her characters are plagued by malevolent supernatural forces, Natalie Erika James’ directorial debut is a thriller with grimly realistic business on its mind. Director: Director: Stars: Angus Imrie, R Janina Gavankar, Regina King | A Civil War veteran agrees to deliver a girl, taken by the Kiowa people years ago, to her aunt and uncle, against her will. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control. | | While we can’t celebrate them all, this year-long rundown has certainly tried to do justice to the finest that filmmakers had to offer. Stars: Alice Braga, PG Director: A musician who has lost his passion for music is transported out of his body and must find his way back with the help of an infant soul learning about herself. Comedy, Horror, Thriller. Ordered to restore his homeland’s reputation (which he ruined with the first film) by gifting a famed monkey to Vice President Mike Pence, Borat winds up accompanied by his stowaway 15-year-old daughter Tutar (Maria Bakalova) on another cross-country odyssey that entails making pit-stops at stores, debutante balls and white nationalist rallies (where he leads sing-alongs that reveal the hatred of those in attendance). Tyler Rake, a fearless black market mercenary, embarks on the most deadly extraction of his career when he's enlisted to rescue the kidnapped son of an imprisoned international crime lord. The normal order is quickly turned on its axis—quite literally, in one unforgettable shot—as alien forces infest, infect and annihilate. Stars: That Buñuelian device speaks to the masculine and feminine sides of both characters, whose ups and downs together and apart form the basis of Boaz Yakin’s (Remember the Titans) unconventional semi-autobiographical tale. Stars: Action, Adventure, Crime. Successful author Veronica Henley finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it's too late. Helmed with playful menace by Leigh Whannell, whose camerawork and compositions constantly tease subtle action in the corners of the frame, this slick genre effort finds Elisabeth Moss trying to convince anyone who’ll listen that she’s not crazy, and really is being hunted by her supposedly dead abusive boyfriend. Disney executives have unveiled the company’s new, Hulu-inspired streaming service for international territories: Star. | Anna Camp, R | | 113 min Ben Affleck, Betty Gilpin, Sarah Paulson, Over the course of one sloshed 24-hour period, Bloody Nose, Empty Pockets evokes a pitch-perfect sense of its going-to-seed milieu and equally haggard visitors, with former actor-turned-floor sweeper Michael proving the weary epicenter of its laid-back action. If you're in the mood to watch a movie that stars a sexy guy, we get it. Tom Hanks, Yakin’s sinuous, passionate indie is as entrancing as it is daring. Writer/director Bryan Bertino once again takes a simple premise and maximizes it for unbearable tension, drawing out white-knuckle suspense from Louise and Michael’s efforts to grapple with tragedy (and impending loss) while simultaneously reckoning with unholy forces beyond their comprehension or control. A famous horror writer finds inspiration for her next book after she and her husband take in a young couple. Spike Lee goes for broke with Da 5 Bloods, tackling historic and modern racism, oppression, guilt, greed and brotherhood through the story of four Vietnam Vets (played by Delroy Lindo, Clarke Peters, Isiah Whitlock Jr. and Norm Lewis) who, along with the son of Lindo’s character (Jonathan Majors), return to Southeast Asia to both recover the remains of their fallen comrade Stormin’ Norman (Chadwick Boseman) and to find the gold they buried years ago. Stars: 98,471 There may be no more joyous 2020 cinematic scene than the closer of Thomas Vinterberg’s Another Round, a sloshed dramedy about four Copenhagen teachers’ attempts to reinvigorate their moribund lives by testing psychiatrist Finn Skårderud’s theory that humans’ optimal blood alcohol content level is .5%. With modern economic and social dynamics as its narrative backdrop, Zhao’s film locates beauty, fear, danger and quiet euphoria in Fern’s wandering search for contentment, which proves that being alone and being lonely aren’t always the same thing. Eli Goree, Kingsley Ben-Adir, Or is it a tool of other sinister forces preparing to strike? Ryder Lerum, | $84.16M, PG-13 Hunted by police captain Liu (Liao Fan), Diao’s protagonists are engaged in a deadly game that’s played in silence because they all inherently know the rules, and their sense of purpose is echoed by the film itself, which orchestrates its underworld conflicts with bracing precision. Part Cowardly Lion, part Bugs Bunny, and altogether ferocious even as his sanity frays, Hardy’s Capone is yet another triumph for the star, who ultimately captures his protagonist less through imposing physicality than via his dark, glassy, lost eyes. Henry Cavill, Director: | | Director: | A Democratic strategist helps a retired veteran run for mayor in a small, conservative Midwest town. Director: | | Drama, Horror, Mystery. 162,894 | Director: James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. | Diana must contend with a work colleague and businessman, whose desire for extreme wealth sends the world down a path of destruction, after an ancient artifact that grants wishes goes missing. Paddy Considine, PG-13 Jake Horowitz, | Wunmi Mosaku, | | Kristin Scott Thomas, Adapted from Jerzy Kosiński’s celebrated 1965 novel of the same name, Marhoul’s film is a harrowing saga about an unnamed Jewish Boy (Petr Kotlár) who, during WWII, is subjugated to every depraved indignity under the sun at the hands of various Eastern European villagers with whom he temporarily stays. Moreover, he imparts a sense of the vital role that dialogue plays in fostering change, and uniting dissimilar people. Clea DuVall Adventure, Comedy, Family. Aided by Liberato’s accomplished performance, first-time writer/director Jeffrey A. Antonia San Juan, Clémence Poésy, Stars: | 91 min Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. Robert Zemeckis Drama, Mystery, Thriller. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. The 16 Scariest Horror Movies of 2020 That'll Haunt You for the Rest of the Year. Stars: Issa Rae, Two elven brothers embark on a quest to bring their father back for one day. At the center of his tale is Maxim Lapunov, whose release from a Chechnyan torture chamber—and resultant knowledge of the government’s monstrous activities—turns him into the state’s Enemy Number One. Nick Schager is a NYC-area film critic and culture writer with twenty years of professional experience writing about all the movies you love, and countless others that you don’t. | | | The specter of death is everywhere in this rustic residence, whose cluttered boxes and myriad artifacts are reflections of its owner’s mind, and whose creepy wall rot is echoed on Edna’s aged body. | Unfortunately, one star’s Christmas movie is not on the 2020 lineup after all. | Stars: Action, Drama, Thriller. Comedy. Florian Zeller’s The Father conveys the terror, fury and anguish of dementia from the inside-out, assuming the unreliable and fragmented perspective of its protagonist, Anthony (Anthony Hopkins), until the boundaries between reality and delusion are as bewildering to us as to him. Will Smith, 102 min At four-and-a-half hours, the legend’s latest sociological investigation paints a sprawling portrait of the work that goes into maintaining, and improving, a metropolis, especially when said locale is undergoing a significant demographic transformation (55% of Boston is now non-white), and its economic inequality is complicated by a host of racial, gender and class-related issues. Be it Kathy going through her sister’s things and cleaning a bathtub soiled by a cat’s corpse, or Del caring for his VFW pal Roger (Jerry Adler), who’s slowly losing his mind, the specter of death—and the memories summoned up by the end of the road—looms large over the proceedings, culminating in a shattering Dennehy speech of irreparable sorrow. Deepfake technology gets a stunning workout in Welcome to Chechnya, as documentarian David France uses the face-transforming device to mask the identities of his subjects: a group of LGBTQ+ activists intent on smuggling gay men and women out of their native Chechnya before the government can kidnap, torture and murder them. A gentle film that radiates overpowering compassion for its characters and their plights, writer/director Lee Isaac Chung’s Minari charts the 1980s endeavor by Korean husband/father Jacob Yi (Steven Yeun) to make something of himself by starting a farm in rural Arkansas – an American dream that worries his wife Monica (Han Ye-Ri), and poses challenges for his daughter Anne (Noel Kate Cho) and son David (Alan Kim), the latter of whom suffers from a potentially fatal heart condition. 1840s England, acclaimed but overlooked fossil hunter Mary Anning and a young woman sent to convalesce by the sea develop an intense relationship, altering both of their lives forever. 109 min Director: Anne Hathaway, In the hope of rekindling old relationships, acclaimed author Alice Hughes (Meryl Streep) invites her college friends Roberta (Candice Bergen) and Susan (Dianne Wiest) on a Queen Mary 2 cruise to England to receive a literary prize. Miami detectives Mike Lowrey and Marcus Burnett must face off against a mother-and-son pair of drug lords who wreak vengeful havoc on their city. Josh Whitehouse, Director: Emerald Fennell It’s an acute snapshot of the American democratic process as filtered through an alternately inspiring and horrifying Lord of the Flies lens. They don't know they've been chosen - for a very specific purpose - The Hunt. This is a list of American films that were released in 2020.Due to the COVID-19 pandemic, numerous notable films that were originally scheduled for release from mid-March to December were postponed to release in mid through late 2020 and in 2021, or were released on video on demand or on streaming services throughout 2020. 270,542 | Director: No amount of adult counter-programming can affect the kid, and when he attacks a female teacher (Myriem Akheddiou) for her modernist Islamic teachings, he winds up in a juvenile detention center and, then, at a farm where the affections of Louise (Victoria Bluck) complicate his worldview. Bilall Fallah Jean-Pierre and Luc Dardenne gaze into the dark heart of religious fanaticism in Young Ahmed, a drama that’s all the more chilling for proffering no easy answers. 105 min Movies from 2020 by laurilahtinen-24592 | created - 04 May 2019 | updated - 2 weeks ago | Public Just a list of movies from 2020 Refine See titles to watch instantly, titles you haven't rated, etc. | 120 min Director: Tom Hanks, Zorion Eguileor, | By the time the filmmakers’ story begins, urban 13-year-old Ahmed (newcomer Idir Ben Addi) has already been indoctrinated by a jihad-encouraging imam (Othmane Moumen). Mary Steenburgen, | Eric Lange, Aylin Tezel, Yet greatly enhancing its trip back in time are the many recollections from WWII vets—including marine Hershel “Woody” Williams, who earned the Medal of Honor for singlehandedly taking out a series of enemy pillboxes with his flamethrower—whose commentary about their wartime duty serves as the film’s guiding narration. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession. Stylistically indebted to both the Westerns of Sergio Leone and the thrillers of John Carpenter, and yet imbued with an out-there spirit all its own, Filho and Dornelles’ film takes a gonzo scalpel to geopolitical dynamics. Director: Action, Horror, Thriller. Stars: Penetration, invasion, corruption and control are all part of this sinister techno-stew, which drenches itself in reflective mirror imagery, sexualized carnage and color-filtered visions of conjoined faces tearing apart from each other. Ashleigh Murray, R | 150 min At the head of that impressive pack (which also includes Bill Nighy) is Taylor-Joy, whose Emma exudes just the right amount of playful cockiness and ambition – qualities ultimately undercut by her realization that no amount of manipulations can change what the heart wants. | Biography, Drama, History. Stars: Helena Bonham Carter, R As Steve soon learns, synchronic has the capacity to spirit users to bygone eras, which instigates a quest that speaks directly to larger issues of mortality, loss, grief, and the push-pull between dreams and reality. Good luck making coherent heads or tails of the film’s convoluted story about a CIA agent known only as the Protagonist (John David Washington) who teams with a shadowy colleague (Robert Pattinson) to discover the origins of bullets that, thanks to entropic “inversion,” can travel back in time. Director: The director’s follow-up to Madeline’s Madeline is a psychosexual affair about lost women driven crazy by callous, self-serving men, and their resultant fears and needs. Nonetheless, amidst such incessant, graphic cruelty, compassion fleetingly materializes in the form of a kindly priest (Harvey Keitel), a Nazi soldier (Stellan Skarsgård) and a Russian sniper (Barry Pepper) who teaches him about “eye for an eye” justice. At its midway point, McQueen’s film becomes a straightforward courtroom drama about the fight against prejudice and for justice. Charlie Heaton, An American expat tries to sell off his highly profitable marijuana empire in London, triggering plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him. Writer/director Josh Trank’s film is a subjective affair told largely from Capone’s POV, so that nothing can be trusted and yet everything speaks, symbolically, to the man’s deep-seated ambitions, fears and misgivings. Czech artist Barbora Kysilkova responded to the theft of two prized paintings by befriending Karl-Bertil Nordland, the drugged-out gangster behind the crime. 128,205 Amanda Seyfried, 138 min A bright and playful kid, Neulinger soon morphed into a person his parents didn’t recognize – a change, they soon learned, that was brought about by the constant sexual abuse he (and his younger sister Bekah) was suffering at the hands of his cousin and two uncles, one of whom was a famed New York City temple cantor. Aldis Hodge, $64.91M, R Guns, abortion and immigration are the most contentious of the hot-button topics tackled by these would-be representatives, and through their campaigns, what emerges is a portrait of politics as a war defined by personalities, prejudices, fearmongering, and dirty tricks and slander. Guided by a loose, jazzy, improvisatory spirit, Ferrara’s quasi-autobiographical drama charts its protagonist as he works on a new project, teaches acting classes, attends AA meetings, and spars with his 29-year-old bride Nikki (Cristina Chiriac), whose father issues are at the root of her marriage to a much older man, just as Tommaso’s desire to remain a vital presence in daughter Deedee’s (Anna Ferrara) life stems from his own prior parental failures with his adopted children. Grief is a monster that you can neither fight nor flee in Swedish director Johannes Nyholm’s Koko-di Koko-da, a surreal nightmare about a married couple (Leif Edlund and Yiva Gallon) that, in the aftermath of their daughter’s unexpected demise, goes on a camping trip in the woods. Director: 102 min That the Russian-controlled state is on a genocidal mission to “cleanse the blood” of the nation by exterminating its homosexual population is a terrifying reality brought to light by France, who details the efforts of these brave souls to use subterfuge to sneak at-risk individuals to safer European enclaves. Ree reveals such connections through subtle juxtapositions that emerge naturally from his subjects’ day-to-day travails, which eventually involve financial hardships and a near-fatal car crash for Nordland. In a countryside beset by an unknown plague, teenage Gretel (It’s Sophia Lillis) refuses to work as an old creepy man’s housekeeper, and is thus thrown out by her mother, forced to take her young brother Hansel (Sam Leakey) on a journey through the dark woods to a convent she has no interest in joining. Using Robert Kolker’s book as her source, director Liz Garbus recounts Mari Gilbert’s (Amy Ryan) efforts to find her oldest daughter Shannan, a prostitute, after she vanished following a house call in a gated Long Island community. Marder evokes Ruben’s condition through an expertly calibrated soundscape that vacillates between harmonious, crystal-clear atmospherics and the low, scary dullness that now besets Ruben. James McArdle, PG-13 109 min Like Orson Welles’ classic 1938 The War of the Worlds broadcast, the film is a tale of potential invasion that plays out over radio waves, and Patterson thus naturally focuses on intently listening faces, and the spoken words that captivate them, as a means of generating anticipation, mystery and suspense. Bruce Davis, R | Dean Parisot Wolverine, however, stayed Hugh Jackman until Logan released in 2017.That’s a long time to play the same character, but we loved you, old man! As with Lover’s Rock (another entry in the filmmaker’s quintet), McQueen imparts a genuine sense of his immigrant milieu. | That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end. Horror, Mystery, Thriller. 124 min Delroy Lindo, Stars: | Drama. And you can watch them right now. | Saoirse Ronan, Stars: Loungewear Is the Undisputed Winner of 2020, The 20 Best Books For These Long Winter Nights, The Coolest Tech and Gadgets of 2021 (So Far), A Cable Knit Sweater Is Your Winter Style Staple, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. At once an alternately joyous and distressed confrontation of mortality and impending grief, not to mention a celebration of the cinema’s (illusory, and yet magical) capacity to combat time and fate, Johnson’s follow-up to Cameraperson is a uniquely warts-and-all portrait of facing the inevitable with courage, creativity and devotion. Drama, Mystery, Sci-Fi. In Andre Ahn’s touching indie, Dennehy is Korean War vet Del, who comes to befriend socially awkward young Cody (Lucas Jaye) after the boy and his mother Kathy (Hong Chau) take up temporary residence next door, cleaning out the pigsty that used to belong to Kathy’s deceased sister. Director: Sacha Baron Cohen, 98 min Stars: Stars: Stars: Logan Lerman, PG-13 It’s a muted and moving snapshot of men searching for a second wind in reckless fashion, and as Martin, Mikkelsen delivers one of the finest performances of his career, veering between numbness, regret, doubt and—in that astounding climax—liberating release. Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. Stars: Ammonite takes a few dramatic liberties in painting a picture of the affair between real-life self-taught paleontologist Mary Anning (Kate Winslet) and younger married Charlotte Murchison (Saoirse Ronan). Presenting its story through fractured plotting and dreamy monologues, the Portuguese master’s latest is a series of tableaus of lovelorn grief concerning not only Vitalina but also an aged priest in spiritual crisis and another young man poised to endure his own tragedy. | Director: Stars: Action, Comedy, Crime. Comedy, Fantasy, Mystery. TV-Highlights, Hollywood Stars, Sport-News und Multimedia-Trends – das ist die Welt von TV Movie, die alle 14 Tage neu erscheint. Jonathan Majors, Weeks’ scares are assured, and all the better for being intertwined with his protagonists’ complicated refugee circumstances, with Bol eager to fit in and Rial increasingly resentful about her rootless condition. Forced to flee their native land by inter-tribal warfare, and then compelled to assimilate in a foreign environment where locals glare at them with suspicion and revulsion, the couple prove figuratively homeless no matter which way they turn. Anxiety about mortality turns out to be more pronounced than ever, particularly via Coogan’s Ingmar Bergman-esque dream sequence, which is related to dismay over his father’s failing health. 124 min Adil El Arbi, Action, Thriller. No one is going to judge you for curling up with the sexiest movies of 2020. Two people per cell. As with her acclaimed debut, Decker’s latest recounts its action through expressionistic visuals—smeary, off-center compositions; intense close-ups; dreamy interludes in which fantasy and reality blend together—and a score of jangly, strident strings, rumbling bass and thunderstorm crashes. Matt Smith, PG-13 Cookie and King Lu’s attempt to rise above their socio-economic station through a criminal scheme, and the potential disaster that awaits them, is the suspenseful heart of this tranquil quasi-thriller, which – awash in redolent faces, gestures and customs – imparts an understated impression of the forces propelling its characters, and the pioneering nation, forward. These are the phenomenal films that helped us overcome a challenging year. Coky Giedroyc By Hunter Levitan and Niko Newbould. $206.31M, R As if the real-life dumpster fire isn't scary enough. Action, Comedy, Crime. 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